For awhile, my book lagged. I lagged. I'd written a young adult that probably was a failed concept book. I'd written the first draft of a strange redneck interracial romance that needed gutted. I got pregnant and let the book fester for...oh...nine months. My brain is glue during pregnancy. After I had the baby, I still couldn't figure out what to do with the plot. I knew what it needed, but I hadn't hit on the right thing to make it come together. And I couldn't figure out what I wrote. Young adult wasn't really panning out-- my execution kept veering into a gritty world not typical of gritty YA. My adult book wasn't sure what it wanted to be, though it had two strong characters who knew exactly what they were.
Then,
Winters Bone showed up in my Netflix. J and I watched it. And both of us understood the other better for it. I walked away with that story-telling fire re-lit in my soul.
I'd never heard of Daniel Woodrell before I'd read an article reviewing Winter's Bone, the movie. And while doing research to figure out what exactly I had written, I came across the term:
Hillbilly Noir.
I wondered about this. So I looked up the father of this genre and found my way to a copy of Winters Bone.
I've read "literary fiction". I love the idea, hate the execution. I tried to read
The Marriage Plot recently. I wanted to smack myself with a tire-iron after reading the sample pages. Just what this world needs, another book about white, upper-middle class angst. I know, your life is just so sad because you're comfortable, bored and still crazy. And nothing against the Marriage Plot, but the first twenty pages was half info-dump and half college thesis gone bad.
Not my thing.
But when I opened the pages of
Winters Bone. I found my chest crushing over the words. When I hit the opening of Chapter Five, I wanted to cry and call everyone I knew about it. It was beautiful. I wanted to read it over and over just to soak in the words. But it was beautiful about things I knew. Ree is walking down the railroad tracks and breaking a path through the snow. And Woodrell captured in glorious and perfect language something I've done many times. Woodrell captured whatever burns in your chest in an ass-frozen morning on your way to work. He wrote something literary and gorgeous about a world I felt like no one in my life even knows existed anymore. I feel like a freak, sometimes.
When I was a kid, my dad's family would sit around the table after Thanksgiving and tell stories. I looked forward to it all year long. My dad and his cousins were ridiculously criminal stupid growing up and despite finding God, they retained their redneck upbringing with a strong affinity towards the culture of Western Pennsylvania. When I was little I thought my dad knew about the world. He traveled the world and had served his years in the Navy, and under the influence. He framed his disciplinary actions from the service. He bragged about getting jumped by gangs in LA. Now I know he just talks shit like a five-seven redneck from the coal mines and oil wells of Pennsylvania. He was a pastor for half my childhood. And while he gave me a lot, he also felt like God didn't mind a heavy fist, or lying to the law.
When I was eighteen, I worked the night shift at a plastic's plant he worked the day shift on. I complained to him about the men making sexual comments and the shift manager who was well-fucked and far from home. He told me tough it up. So I did.
When him and Phil (my second cousin who loves to call as Santa Clause every which month of the year), get together, it's hours of howling and hooting over running from the cops and, remember when we robbed such and such- gas station? Twice in one week!
I told you they was stupid.
And there would be recent stories. I remembered the snake ones most of all.
Phil once came across a rattler on the way to work, hacked off the head and put it in his lunchbox. When he opened it at work to show everyone, the headless rattler leapt out of the box, the thick stump striking to bite over and over again.
If I could ever write a beautiful sentence talking about a headless attacking rattler, I'd die happy.
So when I read Winters Bone and I read about coyotes and hunting and making venison stew. When I read about cousins, and worse cousins and cousins you don't talk to no more because they in deeper shit than you want to be around, I felt like I'd met my best friend. I found someone who saw a beauty in a world I grew up in.
And all along that's what I've been writing. Or trying to write. It's why my young adult romance has a main love interest who started getting tattoos from his cousin's kitchen at thirteen. It's why, freshman year of college, after hearing Jerry Falwells "God's Mountain" story for the first time, I sat in my dorm and wrote a short story called,
The Devil and Jerry Falwell. (in the vein of The Devil and Daniel Webster, The Devil and Everyone The Hell Else in Americana Literature).
No one was amused by my-- what I thought--- was an amusing take on a ridiculous story.
It's why someone read the opening chapters of Bekah's part of this book and said they didn't read white trash books.
I'm still that person inside. I stash money all over the place even though I'm not poor anymore. (I'm not rich, but I know for damn sure I'm not poor).
Hillbilly Noir.